Vale Bob Edwards
The man behind the tributes
Bob Edwards' character was forged early — in the vineyards and orchards of Marion, south of Adelaide, amid a large extended family, hard work and the uncertainty of the Great Depression.
It was his maternal grandmother Lily, a field naturalist and shell collector he later called his first love, who took him as a boy to meetings of the Royal Society's Field Naturalists' Section and sparked a lifelong curiosity about the natural world and Aboriginal Australia. Mentors who followed — Gordon Ragless, Keith Borrow, Draper Campbell, Harold Cooper, Charles Mountford and John Mulvaney — taught him something more lasting than expertise: a kindness and generosity he carried forward into everything he did.
That grounding shaped a man who moved through the world with rare, unforced ease — as comfortable negotiating with a museum director in Amsterdam as sharing a campfire with Aboriginal elders in Central Australia or chatting with a taxi driver on the way to the airport. Beneath the warmth lay a formidable strategist, one who read a room, anticipated objections, and built quiet alliances long before any decision reached a vote — preferring persuasion to confrontation, with much of his most consequential work done away from the spotlight.
And running through it all was a deep generosity of spirit: colleagues remember a mentor who gave freely of his time, contacts and encouragement, more interested in others' success than his own credit. It was this combination that let him move as easily among heads of state as among taxi drivers — "living proof," as one friend put it, "that to have a friend, you have to be one."
None of it would have been possible without Cath. Their marriage was the quiet, steady centre from which Bob's very public life drew its balance — her unconditional love and unfailing support underpinned everything he achieved, and she often spent entire weekends typing his notes and letters while juggling the raising of their four boys, sometimes with Bob away for months at a time. If one person shaped Bob Edwards more than any other, it was Catherine Edwards — and the warmth, strategy and generosity he brought to the world were, in the end, as much hers as his.
John McDonald
"Bob Edwards: A Eulogy," (delivered at St Mary's Anglican Church, St Marys, Adelaide, 14 June 2023.)
"...I'm merely scraping the surface, making a simple list of projects that were distinguished by their complexity, and the enormous time and effort they required. In each instance, the actual details would be worthy of a book. Bob himself is worthy of a very big book. Or a set of encyclopaedias. We remember him for the strings he was able to pull, but also for the love and affection he inspired in every one that got to know him.
If anyone manages to write his biography it will be a kind of secret history, the story of a cultural power player who devoted himself unselfishly to the greater good of his country. One had to have an innate love of people to do what Bob did, and to maintain friendships from Arnhem Land to London and Paris. One had to have a very particular sort of mind, and steely determination to succeed.
Bob was a lucid thinker and a man of huge heart. With his passing we have lost Australia's greatest invisible cultural monument. We never saw the whole picture during his long life, but today we realise what a giant he was and mourn the loss of an irreplaceable personality."
Jeremy Eccles
("Art facilitator took recognition of Indigenous culture to a new level," Sydney Morning Herald, 13 June 2023.)
A tribute from arts journalist Jeremy Eccles, tracing Edwards's role as founding director of the Aboriginal Arts Board and his part in expanding government support for Indigenous arts.
Art Gallery South Australia
(AGSA Magazine, Issue 52, Spring 2023.)
"With the loss of Bob Edwards, Australia has lost a gentle, magnanimous giant of our cultural institutions. Though his contribution to the field remains largely unsung, the shapes of our cities' landscapes, and the nature of the public's free engagement with the arts, was immeasurably transformed by his endless passion and influence."
Philip Jones
("Remembering Dr Robert Edwards AO (1930–2023)," South Australian Museum, published 29 May 2023.)
"...Edwards had few equals in terms of producing a lasting and coherent record of Aboriginal culture within and beyond the state during his time at the SA Museum. He grasped the opportunities to work closely with Aboriginal people to ensure that their view of culture would take primacy wherever possible..."
Jeremy Eccles
("A Significant Loss – Bob Edwards 1930-2023," Aboriginal Art Directory, 6 June 2023.)
"A man almost written out of history in his life is receiving due recognition in death."
Professor Claire Smith FAHA
("A remarkable legacy,"
Australian Academy of the Humanities, 2023.)
"He leaves a remarkable legacy. Across his career, he was a pioneer in the systematic study of Australia rock art, founder and landmark director of some of Australia's most important cultural institutions, consummate mandarin who established deep connections between Australia and the international art world and dedicated champion of Aboriginal and Torres Strait Islander rights."
Australia Council for the Arts
(Creative Australia) ("Vale Dr Robert Edwards AO," 31 May 2023.)
"Bob Edwards was a man before his time, driven in his determination to bring about the best possible outcomes for Aboriginal and Torres Strait Islander peoples, ensuring they had a voice and agency in determining access and representation within collecting institutions."— Franchesca Cubillo, Executive Director First Nations Arts and Culture, Australia Council
Neil MacGregor
(Written message read by David Edwards at the funeral of Bob Edwards, St Mary's Church, 14 June 2023.)
"...we never spent time together without many anecdotes, some very serious conversations about politics or morality, and always — always — lots of laughter. ...along with all this, he became to me — as to so many others — not just a colleague, but a dear friend."
Alan Howe
("Without Bob Edwards, Australia would have lost so much of its First Nations past," The Australian, 10 June 2023.)
"For men such as Bob Edwards it must have been unthinkable that we did not count Indigenous Australians, because he had long been aware that their lives, and especially their art, counted a great deal."
